Analysis of Acoustic and Electrophysiological Evidences
On the Physiology of Voice Production in South-Siberian …books.google.fr › books – Traduire cette pageOvertone singing – perception, physical modeling of sygyt, kargyraa and … Journal of Speech and Hearing Research, l(3):227-244. van den Berg, J. (1960).Sven Grawunder –
Comparison of voice production types of ‘western’ overtonesinging and South Siberian throat singing
Sven Grawunder University of Halle, Germany
E-mail: grawunder@sprechwiss.uni-halle.de
ABSTRACT
The investigator uses a non-invasive methodology basedon a synchronous recording of voice, laryngographicsignal and subglottal resonance on 2 ‘European’overtone singers and 2 ‘Siberian’ semi-professionalthroat singers. For the upper registers of throat singing an extremely short contacting phase was obtained and SQseems to be appropriate to distinguish between both phonation types. Lower registers share doublet and triplet waveform patterns, but differ significantly in jitter and shimmer rates (j < 0.1; sh < 0.15 for ThS). Other findings are a narrowed bandwidth of a dominant F2 and an ostinato formant between F3 and F4, which are remarkable for all throat singing styles
https://www.academia.edu/3290854/Comparison_of_voice_production_types_of_western_overtone_singing_and_South_Siberian_throat_singing?email_work_card=title
Obertongesang versus Kehlgesang
Die Erforschung eines besonderen Stimmgebrauchs
Sven Grawunder
Diplomarbeit am Institut f ̧r Sprechwissenschaft und Phonetik der Martin-Luther-Universitat Halle-Wittenberg vorgelegt Marz 1999.
Halle/Saale
Vorgelegt 24.03.1999
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This book presents the first field-work based phonetic study focussing such extraordinary phonatory outcomes as occur in the context of South-Siberian throat singing. In throat singing specific voice production types serve as source, which are subject to various ways of formant shaping, merging, adjustment, and reinforcement, all of which function to enhance individual harmonics. Two main types are proposed for voice production in South-Siberian throat singing: a voice production by means of the vocal folds featuring a constriction of the aryepiglottic sphincter, and a voice production with involvement of the ventricular folds. Furthermore a simple schematic model for the articulation types in throat singing is suggested. One of the basic questions throughout this study is whether the phenomenon of throat singing shows fairly clear regional variants in different parts of southern or whether the variation is chiefly a matter of individual styles.
Sven Grawunder studied Speech Science, German Linguistics and Phonetics at the Martin Luther University of Halle-Wittenberg, Germany. He has conducted ethnomusicological, phonetic and linguistic field work in language documentation projects in Siberia, India and Africa. Currently he works as a postdoc researcher at the linguistics department of the Max Planck Institute for Evolutionary Anthropology in Leipzig, Germany.
https://www.frank-timme.de/uploads/tx_ttproducts/datasheet/ISBN_978-3-86596-172-3_Inhaltsverz.pdf
TRAN QUANG HAI's world throat singing 