Cycle Mongolie des Ateliers d’ethnomusicologie – Le chant des steppes – Genève – avril 2016
639 views•Jan 23, 2017 80ShareSaveJean-François CASTELL 758 subscribers DU JEUDI 14 AVRIL AU SAMEDI 16 AVRIL MONGOLIE CYCLE THÉMATIQUE – Le chant des steppes – Alhambra – MEG – ADEM, Genève Dans le cadre de la tournée et la sortie du disque « Anthologie du khöömii mongol et du tournage du documentaire VOYAGE EN DIPHONIE http://voyageendiphonie.com Fondés à Genève en 1983, les Ateliers d’ethnomusicologie (ADEM) sont une association culturelle dédiée aux musiques et danses du monde. Tout au long de l’année, ils organisent des concerts et des festivals, des cours, des stages et des activités pour jeune public. Ils publient également des livres et des CDs et apportent leur soutien aux musiciens migrants vivant dans la région.
333,983 views•Nov 6, 2019 16K122ShareSaveВЕК 118K subscribers “Kara-Suu” (Spring water) Danil Dangeev, Alan Samoev, Ezenday Balbin November 2019, Altai, Russia. (Live sound) Lyrics : Мёнкунен аккан Кара-Суу Ичеримде jакшызын, Мёш буркеген Алтайым Jурегимде jаражын. Табырап аккан Кара-Суу Ичеримде jакшызын, Тал буркеген Алтайда Jуреримде jакшызын. Тайганан аккан Кара-Суу Ичеримде jакшызын, Таш jабынган тайгалар Кёрёримде jaражын “Altai Throat Singing” by Altyn Tuu
Hugjiltu (3) at Rasmus Lyberth’s 60th birthday party, Odense, Denmark
1,213 views•Aug 23, 2011 140ShareSavecopenmiller 39 subscribers Amazing music! Inner Mongolian musician Hugjiltu performs at Greenlandic musician Rasmus Lyberth’s 60th birthday party in Rasmus’ backyard, August 20, 2011. Hugjiltu lives in Beijing, and performs with Ajinai Band (http://www.myspace.com/ajinaiband).
and Seiji Niimi∗4 ∗1 NTT Communication Science Laboratories, ∗2 The University of Tokyo, ∗3 National Rehabilitation Center for the Disabled, ∗4 International University of Health and Welfare
KEN-ICHI SAKAKIBARA
Introduction
Throat singing is a traditional singing style of people who live around the Altai mountains. Kh¨ o¨ omei in Tyva and Kh¨ o¨ omij in Mongolia are representative styles of throat singing. Throat singing is sometimes called biphonic singing, multiphonic singing, overtone singing, or harmonic singing because two or more distinct pitches (musical lines) are produced simultaneously in one tone. One is a low sustained fundamental pitch, called a drone, and the second one is a whistle-like harmonic that resonates high (in the range from 1 kHz to 3 kHz) above the drone. Many variations of singing styles in throat singing are classified according to singers and regions. However, it is possible to objectively classify these variations in the terms of a source-filter model in speech production. The laryngeal voices of throat singing can be classified into (i) a pressed voice and (ii) a kargyraa voice based on listener’s impression, acoustical characteristics, and the singer’s personal observation on voice production. The pressed voice is the basic laryngeal voice in throat singing and used as drone. The kargyraa voice is a very low pitched voice that ranges out of the modal register. The production of the high pitched overtone is mainly due to the pipe resonance of the cavity from the larynx to the point of articulation in the vocal tract [1]. In Tyvan kh¨ o¨ omei, sygit is a style where singers articulate by touching the tongue to the palate and kh¨ o¨ omei is one where they articulate by pursing the lips. We have also physiologically observed two different laryngeal voices and estimated the patterns of the vocal fold and false vocal fold vibrations [6]. We have simulated the vibration patterns by a physical modeling of the larynx: 2 × 2-mass model. Based on the physiological observations and the simulation, we propose a new laryngeal voice model and synthesis system for throat singing
TRAN QUANG HAI's world throat singing 